There seems to be a canon of cultural production (be it literature or film) that either depicts the GDR as a state of oppression as seen in the film The Lives of Others (dir. Florian Henckel von Donnersmarck, 2006) or through the lens of Ostalgie, as seen in Good Bye Lenin! (dir. Wolfgang Becker, 2003). This leads to what I call an exoticizing of the GDR and its culture on the one hand and an oversimplification of what the East German state was on the other hand. In order to understand contemporary German culture and history, one has to continue examining the factors that shaped GDR legacies and resist such exoticization. In this short reflection, I would like to suggest two ways of diversifying our teaching and study of the GDR.